Michael W. Dean does initial tests of his new birthday mic, the venerated holy grail of broadcasting, the Electro-Voice RE-20 Microphone (get it HERE new for $449 with free shipping). Dig the wonderful meaty-yet-flat pro-izzle sound! Creamy retro 60s charm! Whee!
This mic gives a lot of freedom of movement. With my old Shure Beta 57a mic, I had to be right up on it to sound great. The sweet spot was the size of a plumb. That ended up making my back and neck tense doing a long live show. With the RE-20, the sweet spot is the size of a basketball. I can move all over and sound great. Will extend my life span! (Good for us cranky, creaky old guys. I turn 49 this week.) You can also talk more naturally with an RE-20, it doesn’t require conscious or subconscious “mic technique” that other mics require to sound really good.
I skipped the fancy accessories, like the expensive RE-20 specific shock mount ($125) and the RE-20 specific pop filter. A standard condenser mic shock mount and boom arm works fine. And while this mic, more than most, will work fine without a windscreen, a standard cheap foam windscreen stretched over the end makes it sound even better. No need to get the dorky little RE-20 specific pop filter.
Used correctly and with a good pre-amp, the RE-20 is a sword of truth cutting through the murky swamp of media lies and statist COINTELPRO sheeple-bleeting horizontal enforcement of injustice.
They are also built like a tank. The RE-20 comes with a 3-year factory warranty. What else in the WORLD comes with a 3-year factory warranty these days?????
Available in any color you like, as long as it’s green. To be more specific: somewhere between Vietnam-era US military camouflage green and old-school hospital room green.
Mic was used with a foam windscreen, audio was recorded through Pre-Sonus compressor/pre-amp with a Behringer XENYX X2442USB Premium 24-Input 4/2-Bus Mixer, then normalized in SoundForge.